Press

[... Across the three pieces, the two delve deeply into the interactions of overtones and resonance, acoustics and electronics, and pattern and field which continue to reveal new layers across repeated listens.]

- Michael Rosenstein, Point of Departure (June 2025)

[... Yan Jun’s throaty human voice timbre is expanded and resonated, processed and manipulated by Wong’s subtle sine waves and white noise in a manner that blurs the borders among the sonic events and suggests an otherworldly but rich and communicative language.]

- Eyal Hareuveni, Percorsi Musicali (September 2024)

[... the acoustic phenomenon was exaggerated by participants covering, shaking, and even placing the speakers far away from themselves, resulting in an overwhelming surround-sound experience. A rare sight that stands out from many laptop musicians...]

- Alex Yiu, Art Asia Pacific (August 2024)

[... It’s a transfixing embrace of quivering matter, as if we’ve been invited to eavesdrop on the secret lives of vibration.]

- Daryl Worthington, The Quietus (July 2024)

Eric Wong / Seiji Morimoto Interview: seven questions about body and vibration

Aloe Records (May 2024)

[... The two of them (Brown and Wong) cook up a pair of severe, spatialised noise studies that keep turning aggressive, but the harshness is tamed and sculpted by responding to the acoustic dynamics of the apartment...}

- Ben Harper, Boring Like A Drill (May 2024)

[... Accordingly, the duo’s (Brown and Wong) electro-acoustic noise has a great deal of depth to it.]

- Kristoffer Cornils, field notes (April 2024)

[... the random diffusion of the speakers provided plenty of interest on its own.]

- Peter Margasak, Nowhere Street (Mar 2024)

[... the subtle fluctuation of Wong's loudspeaker frequencies create all kinds of frictions and vibrations that set movement free, even in moments of supposed static.]

- Kristoffer Cornils, field notes (February 2024)

[... there’s a conversational air to the music that, while sometimes manifesting as playful mimicry between Eric Wong‘s sine waves and Yan Jun’s vocals, just as often shows itself through counterpoint...]

- Jinhyung Kim, Bandcamp Daily (January 2024)