Press

[... Yan Jun’s throaty human voice timbre is expanded and resonated, processed and manipulated by Wong’s subtle sine waves and white noise in a manner that blurs the borders among the sonic events and suggests an otherworldly but rich and communicative language.]

- Eyal Hareuveni, Percorsi Musicali (September 2024)

[... the acoustic phenomenon was exaggerated by participants covering, shaking, and even placing the speakers far away from themselves, resulting in an overwhelming surround-sound experience. A rare sight that stands out from many laptop musicians...]

- Alex Yiu, Art Asia Pacific (August 2024)

[... It’s a transfixing embrace of quivering matter, as if we’ve been invited to eavesdrop on the secret lives of vibration.]

- Daryl Worthington, The Quietus (July 2024)

Eric Wong / Seiji Morimoto Interview: seven questions about body and vibration

Aloe Records (May 2024)

[... The two of them (Brown and Wong) cook up a pair of severe, spatialised noise studies that keep turning aggressive, but the harshness is tamed and sculpted by responding to the acoustic dynamics of the apartment...}

- Ben Harper, Boring Like A Drill (May 2024)

[... Accordingly, the duo’s (Brown and Wong) electro-acoustic noise has a great deal of depth to it.]

- Kristoffer Cornils, field notes (April 2024)

[... the random diffusion of the speakers provided plenty of interest on its own.]

- Peter Margasak, Nowhere Street (Mar 2024)

[... the subtle fluctuation of Wong's loudspeaker frequencies create all kinds of frictions and vibrations that set movement free, even in moments of supposed static.]

- Kristoffer Cornils, field notes (February 2024)

[... there’s a conversational air to the music that, while sometimes manifesting as playful mimicry between Eric Wong‘s sine waves and Yan Jun’s vocals, just as often shows itself through counterpoint...]

- Jinhyung Kim, Bandcamp Daily (January 2024)